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Rusalka

Anna Melikian, Russia, 2008

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Once upon a time ... is the best way to tell the incredible story of the
adventures of the mermaid’ Alisa in the Russian capital Moscow. There was
a time when Alisa lived by the sea. Her life was nothing out of the ordinary.
She dreamed of one day dancing in a ballet; she sang in a children’s choir
and attended a special school, because, at the age of six, she suddenly
stopped speaking. None of which would be noteworthy, were it not for the
fact that Alisa possessed a remarkable gift: the ability to fulfil wishes.
At the age of 18 she leaves her coastal town for Moscow, where her destiny
soon takes hold and she meets him ... a man whose desire to be saved and
protected is pretty much written all over him. Alisa takes him by the hand
- and this changes her life.

This film by Azerbaijani director Anna Melikian is a modern fairy tale in
which age-old myths and youthful imagination are merged in a surreal
urban romance. The dream-like storyline is mirrored by the visual approach
Anna Melikian has chosen to recount the adventures of a mermaid’ who
finds herself washed up inland.
Once upon a time ... is the best way to tell the incredible story of the
adventures of the mermaid’ Alisa in the Russian capital Moscow. There was
a time when Alisa lived by the sea. Her life was nothing out of the ordinary.
She dreamed of one day dancing in a ballet; she sang in a children’s choir
and attended a special school, because, at the age of six, she suddenly
stopped speaking. None of which would be noteworthy, were it not for the
fact that Alisa possessed a remarkable gift: the ability to fulfil wishes.
At the age of 18 she leaves her coastal town for Moscow, where her destiny
soon takes hold and she meets him ... a man whose desire to be saved and
protected is pretty much written all over him. Alisa takes him by the hand
- and this changes her life.

This film by Azerbaijani director Anna Melikian is a modern fairy tale in
which age-old myths and youthful imagination are merged in a surreal
urban romance. The dream-like storyline is mirrored by the visual approach
Anna Melikian has chosen to recount the adventures of a mermaid’ who
finds herself washed up inland.
Duration
114 minutes
Language
OV Russian
Subtitles
German, French
Video Quality
480p
Available in
Switzerland, Austria, Germany, Liechtenstein
Die seltsamen Abenteuer des Mr. West im Land der Bolschewiken (1924)
Lew Kuleschow
Russia
77′
Travelled to the Soviet Union with many prejudices, the American businessman Mr. West has to correct his view of the Soviets after several adventures at the end of his journey. Silent movie grotesque that ironically glosses the erroneous opinions of the West about the USSR. A film historical document worth seeing. (Dictionary of International Cinema)
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Das Mädchen mit der Hutschachtel (1927)
Boris Barnet
Russia
93′
Can you find happiness in the big city? The young hat maker Natascha, who lives with her grandfather in a suburb covered in winter snow, has to commute by train from the village to Moscow to deliver her creations to the extravagant Irene's hat shop. For the administration, Irene claims Natascha to be her subtenant in order to be able to have more living space. The clumsy railway official woos the lovely country girl with his ravishing smile. But she enters into a fictitious marriage with the provincial Ilya in order to get him a room in Moscow. With an apparently worthless lottery ticket, which Irene's husband gives to Natascha, the entanglements become turbulent. Boris Barnet describes the contrasts between city and country and the new living conditions in Moscow in a stylish and socially critical way. Three great acting talents, Anna Stén, Iwan Kowal-Samborski and Vladimir Fogel, form the triangle of relationships. Originally ordered as a vehicle to advertise the State Lottery, the film made the studio rich and the natural talent director Boris Barnet famous as the founder of lyrical comedy.
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The Coat (1926)
Grigori Kosinzew Leonid Trauberg
Russia
80′
A minor clerk, Bashmachkin, replaces his threadbare overcoat with one made from the finest materials he can afford. Then one evening ruffians beat him up and steal his cherished new garment. The actors’ highly stylized gestures border on modern dance, and Bashmachkin’s world, especially as he begins to lose his grasp on reality, is powerfully rendered with looming shadows, oblique camera angles and eccentric architecture.
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