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After Patricio Guzmán had travelled to the Atacama Desert in the north of Chile for «Nostalgia de la luz» and to the deepest south for «El botón de nácar» in Patagonia, he deals in the last part of the trilogy on his homeland with the central chain of Andes and the memory of the moving images. All his films are personal, but in some respects he is the most intimate, leading the artist back to the ruins of the house of his childhood.
filmingo offers a curated selection of arthouse films for streaming by subscription or individual rental. Run by the Swiss foundation trigon-film.