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Die Böhms - Architektur einer Familie

Maurizius Staerkle-Drux, Germany, 2014

Gottfried Böhm is considered to be one of Germany’s most important architects. The Pritzker prize-winning father learned his trade from his father. At the age of 94, Gottfried still works every day on construction projects with his sons, Stephan, Peter and Paul, who are also architects. But then the family loses its emotional centre: Elisabeth – who was also an architect – wife, mother and their most important source of inspiration. Gottfried Böhm embarks on a journey to the significant buildings and milestones in his life.
Gottfried Böhm is considered to be one of Germany’s most important architects. The Pritzker prize-winning father learned his trade from his father. At the age of 94, Gottfried still works every day on construction projects with his sons, Stephan, Peter and Paul, who are also architects. But then the family loses its emotional centre: Elisabeth – who was also an architect – wife, mother and their most important source of inspiration. Gottfried Böhm embarks on a journey to the significant buildings and milestones in his life.
Duration
87 minutes
Language
OV German
Subtitles
German, English
Video Quality
1080p
Available in
Austria, Germany
The Invisible Frame (2009)
Cynthia Beatt
Germany
59′
In 1988 Cynthia Beatt and the young Tilda Swinton embarked on a filmic journey along the Berlin Wall into little-known territory. The film CYCLING THE FRAME is now an unusual document. 21 years later, in June 2009, Beatt & Swinton re-traced the line of the Wall that once isolated West Berlin. THE INVISIBLE FRAME depicts this poetic passage through varied landscapes, this time on both sides of the former Wall.
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Janosch – Komm, wir finden einen Schatz
Irina Probost
Germany
70′
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Satte Farben vor Schwarz
Sophie Heldmann
Germany
82′
The love story of an elderly couple. Having arrived at the end of their lives, the two 74-year-old protagonists take the liberty of making their own decisions concerning life and death. They stage their demise exactly as they staged their lives. After fifty years spent together, they don’t go because they have to, but because they want to.
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Die 120 Tage von Bottrop (1997)
Christoph Schlingensief
Germany
62′
The surviver of the Fassbinder family meet on Potsdamer Platz for the shooting of the Last New German Film – a remake of Pasolini’s THE 120 DAYS OF SODOM. Chaos total: Director Schlingensief, degraded to a set manager, will be replaced by an unknown, who get’s the Bundesfilmpreis award. Film as a nightmare – or vice versa. Producer Volker Spengler sends an agent (Christoph Schlingensief) to Hollywood where he meets Udo Kier, Kitten Natividad and Roland Emmerich on a mission to raise money and get ex-Visconti superstar Helmut Berger to appear in the film. Depicting a German cultural scene at the turn of the century that still has not come to terms with the legacy of New German Cinema, Schlingensief tackles the topic once and for all: with endless references both open and obscure, Schlingensief takes the process of de- and reconstruction just far enough to both completely demystify and pay tribute to an era and its heritage. With appearances from the German film, TV and theatre scene, many actors, contributors and cultural icons appear as themselves; but Schlingensief is not afraid to resurrect some of the dead, only to kill them off again: part parody, part heartfelt homage, THE 120 DAYS OF BOTTROP gives New German Cinema its final coup de grâce.
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